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SR-305-004-03 e 3'oS- - Of/ll-P3 e II-Q OCT 2 7 1987 LB:DA:HK:bh council Meeting: 10/27/87 Santa Monica, California TO: Mayor and City council FROM: city Staff SUBJECT: Privately Funded Public Sculpture by Baile Oakes INTRODUCTION This Staff Report recommends city Council approval of a proposed privately funded public sculpture by Baile Oakes to be sited in a palm grove just south of the Palisades Park Rose Garden. The construction budget is $45,000 of which $30,000 has been donated to the SMARTS Foundation by an art patron. The SMARTS Foundation Board has pledged $15,000 to the project. Additional donations by other private patrons to underwrite an installation budget of approximately $10,000 may be forthcoming upon council approval of this plan. BACKGROUND 11Gestation" is an outdoor sculpture by Baile oakes. Its theme is birth and regeneration -- the basic roots of life. The circle motif was chosen because its form represents infinity. The progression of "ribs" from the circle symbolizes constant growth. "Gestation" is intended to invite interaction and contains an - 1 - II~e OCT 2 7 1987 e e interior circle 7 1/2 feet in diameter. This allows a citizen to walk into the sculpture and experience its dynamics from the inside out. The sculpture will be orientated so that the edges of the outermost rib will form a viewing line to the western horizon. This view is aligned toward the setting sun at winter solstice. In this way the sculpture will visually celebrate the return of spring. The sculpture will be formed from Oregon yellOW cedar. Yellow cedar is preferred because it can be milled and dried in a way that will enhance durability. The piece will not be finished nor coated in order to allow it to weather and take on a rich, time-worn patina. SITE The Arts Commission, the Recreation and Parks Commission and the Arts Foundation have recommended a location on the lawn immediately south of the Rose Garden. The Palisades site is a crucial factor in the theme "forces of life" because the area combines ocean, land, air, wind, people, plants and animals. An existing collonade of palms bordering the lawn will serve as an harmonious entrance to the sculpture because the form of the trees carries the same soothing visual message as the curved progression of "Gestation". Proposed installation date is January I, 1989. - 2 - e e SELECTION PROCESS In July, 1986, Baile Oakes asked Stephen Garrett, Director of the Long Beach Museum of Art, if the Museum could recommend a suitable outdoor location for a proposed sculpture. Mr. Garrett referred Mr. Oakes to Lindsay Shields, Director of the Public Corporation for the Arts in Long Beach and Chairperson of the Santa Monica Arts commission. After contacting Mr. Oakes and ascertaining the quality of his work, Ms. Shields forwarded the proposal to Lynne C. Barrette, Assistant City Manager then Acting Director of the Santa Monica Arts Commission. At a meeting of the Arts Commission on December 15, 1986, Ms. Shields and Ms. Barrette presented the possibility of developing a project with Mr. oakes. After the Commission responded enthusiastically to the artist's proposal, Henry Korn, Arts Commission Director was asked to develop an implementation plan. Mr. Oakes indicated he had a prospective donor, Nora Clow, who was ready to make a substantial donation toward the $45,000 construction cost of the project. Time was of the essence in view of the impending changes in tax laws regarding charitable contributions. Mr. Korn met with the prospective donor, an agreement with the Arts Foundation was negotiated and Ms. Clow presented a check for $30,000. The Arts Foundation Board formally reviewed and endorsed the plan at its meeting on January 21, 1987. On May 18, 1987 Mr. Oakes made a formal presentation to the Arts Commission and his proposal was unanimously approved. At its meeting of June 4, 1987 the Arts Foundation Board unanimously approved a motion to formally commit to raising the - 3 - e e remaining $15,000 required to complete the construction budget of the Oakes project. The proposal was presented at a Joint Arts and Parks Subcommittee Meeting on July 3, 1987 and to the Recreation and Parks Commission on July 16, 1987. It was approved by the Recreation and Parks Commission by a vote of 6 to 1. TECHNICAL DESCRIPTION OVer the years the coloration of the sculpture will take on the hues of surrounding nature. Each rib is 9 1/2 inches wide by 1 1/2 inchs thick, bent and shaped into final form held together by boat building epoxy resin -- "Chem-Tech T-88". The ribs overlap and the joint between each section is secured by stainless steel bolts concealed from view by plugs made from the same material and grain pattern as the sculpture. The sculpture's engineering has been reviewed by Charles Macintosh of Macintosh and Macintosh who wrote a textbook on the engineering of wood structures for the University of California. Mr. Macintosh will undertake engineered drawings that will be submitted to General Services, Parks and the Building Department for approval. POSSIBLE PUBLIC CONCERNS Durability: Wood sculpture, when properly mounted (i.e. allowing no standing water to gather), will last hundreds of years. Douglas Stafford, Parks Superintendent, reports adjusting the - 4 - e e park sprinkler system to accomodate this objective is no problem and a minor expense. Graffitti: paint can be sanded. The artist will do this himself after the first occurance. Then the city can decide whether to coat the sculpture to protect it. This action, however, would mean the color of the sculpture would no longer change with age. Carving of Initials: Should this type of vandalism occur it will not sUbstantially change the overall presence of the art work. The strong and distinctive form will remain the same even if the entire surface is covered. This type of vandalism is not of concern to the artist. Public Safety: The work is designed so that people cannot climb the exterior of the work the curve is too high and steep. Sleeping: The interior space is small and thus uncomfortable for reclining. BUDGET/FISCAL IMPACT All funding for the project will be paid for by the Arts Foundation through private donations: therefore there is no City budget impact. - 5 - e e RECOMMENDATION staff recommends City Council approval of "Gestation III" by Baile Oakes. Upon approval, SMARTS will solicit required installation funds and initiate an artist contract with the city providing for installation of "Gestation III" in January, 1989. 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